Men or women? Women or men?

A movie came out that lead me to think about the complexity of gender identity and the reasons people choose to dress, act and present themselves a certain way. So today I wanted to explore some of these titles and the different things they say.

The movie that started me thinking about this is Albert Nobbs starring Glenn Close: a standout movie about a woman putting herself in the place of a man where many movies as a means to an end. Becoming a male, is a way to a new life.

Nobbs is a woman in 19th century Ireland who after a horrific event in her young years, decides that she’d be able to move in the world better if she acted and dressed as a man.Of course nothing is that easy, and trying to create a life as a man twists and alters the way Albert can see the world and the options she has reach his ultimate goal. There isn’t much to say without totally ruining the movie except it’s beautiful, sweet, touching and a little sad.

To carry on the dramatic theme there are titles like Boys Don’t Cry, where a woman feels deep down that she, should be a he and does everything in his power to make the body match the mind. It’s a tragic story based on the real story of Brandon Teena (The Brandon Teena Story), a male to female transsexual who was brutally murdered for being who he was.

Now, not all movies about the subject of being free to be who you are,  are tales of sorrow. There are a number of comedies that deal with this idea and one of the most well known is The Birdcage the movie adaptation of the French play La Cage aux Folles (Which was turned into a Broadway musical in 1983). Starring Nathan Lane and Robin Williams as the delightful, very openly gay, couple who are the fathers of  the handsome young Val, who has just become engaged. Unfortunately the woman he loves is the daughter of an ultra-conservative politician and he wants his flamboyant fathers to tone it down for a visit by his future in-laws. Hilarity follows and of course a change of heart by everyone involved and acceptance is the name of the game.

Another well known comedy is To Wong Foo, Thanks For Everything! – Julie Newmar starring Patrick Swayze, John Leguizamo and Wesley Snipes as three wild drag queens on the road to to the biggest Drag beauty pagent in the country. When their car breaks down in the middle of no-where they’re faced with small town ideas, small town people and the chance and style to change the lives of everyone they meet.

Now, to switch gears to documentaries, one of the most interesting is called Venus Boyz which focuses on a group of women who are exploring what it is like to dress like men and present themselves in that way. It delves into their reasons, their personal lives and their explorations in what some of the most subtle differences between men and women are when you’ve seen it from both sides.

A totally fun title is Pageant which follows a group of men who are trying to win the title of Miss Gay America an underground female impersonator (aka Drag queen) competition. It has interviews with the competitors, families and friends sharing what motivates these men to go against convention and shine as who they are.

And lastly I’ve got a documentary that is all about drag (both men and women) and it’s history in performances. They talk about everything from Norman Bates to Frank-n-Furter in Rocky Horror, Divine in Hairspray and even Gwyneth Paltrow in Shakespeare In Love. Ladies Or Gentlemen is a fun look at the history and the meaning behind some of the best gender-bending roles in modern movies.

“It starts with a whistle . . .”

The NFL’s four-month lockout finally ended this week. It’s time to gear up for the new season! Set the proper mood by dipping into NFL Films’ vast archives for some of the best sports documentary films around. Football is the sport most like a great drama. Its long drives, swings in momentum, and play-to-play format mimic great narratives. And NFL Films knows just how to capture that story in the operatic fashion that befits the game.

Start with The Comeback, perhaps the most remarkable and exciting game in the NFL’s near 100-year history. NFL Films captures the beautiful swing of emotions with typical aplomb, as the Buffalo Bills rally from a 35-3 deficit in the third quarter to win in overtime, 41-38. An even-handed approach, which points out the various breaks and officiating blunders that aided the Bills in their comeback, adds to the authenticity. The use of eerie, Twilight Zone-esque music over a montage of momentum-turning plays is an unusual and highly effective touch.

Follow that up550109 It starts with a whistle . . . with Super Bowl X, which pits the Pittsburgh Steelers against the Dallas Cowboys. Ah, this is NFL films at its most quintessential. Unlike later films, this highlight reel is devoid of any game sound – no miked players or crowd noises – but this gives the match a feel of heightened reality, adding to the drama and tension. Terry Bradshaw unspooling an epic pass to Lynn Swann for the winning points (to the tune of one of Sam Spence’s best-known, Western-inspired NFL Films marches) as John Facenda oakenly intones, “The result is Super Bowl history” is the essence of the NFL Films aesthetic. The camera whipping back across the field from Swann’s exultant celebration to the aftermath Bradshaw’s crushing, game-ending concussion at the other end of the field exemplifies the thrilling extremes of sport as well as any film I can think of. (Plus, just how did the cameraman know to do that? It’s uncanny.) It’s not the only great moment . . . look for the sad shot of a Cowboy supporter drying her tears, the coaches craning their necks to see the result of Roger Staubach’s final pass, the snappy, mythic narration (“Roy Gerela’s aching ribs and bruised psyche did not engender much confidence at this juncture of the game. But the kick was true”) and more.

Then turn your attention to any doc dealing with Joe Montana, whose flair for dramatic finishes is unrivaled and a perfect match for the theatrical sensibilities of NFL Films. Take your pick . . . their multiple angle appreciation of his flawlessly thrown pass in Super Bowl XXIV in a rout of the Broncos, their iconic film record of Dwight Clark’s gravity-defying catch from Montana in 1981, or their chronicle of his storybook game-winning drive for the 1988 championship. Montana, NFL Films . . . it’s a pairing made in sports DVD heaven!

Finish by w1391463 It starts with a whistle . . .atching a few episodes of America’s Game. NFL Films alters its approach somewhat here, moving the focus from the on-field action to the personal stories of the players who lived the games. Each of the 40+ Super Bowl seasons are chronicled by three key players, with game footage used only to supplement the overall narrative. A testament to NFL Films’ ability to reinvent itself, these docs are watchable even if you aren’t a fan of the team in question.