The Doctor – I Mean, Peter Vincent – Is In.

DavidTennantFrightNight The Doctor   I Mean, Peter Vincent   Is In.Isn’t it nice when a movie surprises you?  I will admit straightaway that my initial reason for going to the theater to see Fright Night was the one and only 10th Doctor, David Tennant.  Remakes are not usually the most stellar examples of cinema, with horror entries in particular leaving a bad taste in my mouth given some especially disappointing recent titles.  I thought that, at best, Fright Night would be a relatively painless 106 minutes to be endured in exchange for the chance to see my favorite actor on the big screen.  Instead, what I experienced was one of the most enjoyable times at the theater in recent memory.  Not only was Tennant remarkable to watch in the role of Peter Vincent, but I was also struck by the fantastic performance of Colin Farrell as Jerry.  The talent of these two actors alone would be enough to save even the most potentially disastrous of films.  A perfect mix of tense horror and slick humor, Fright Night is one of my favorite films of the year.  If my fawning alone is not enough to convince you, check out this clip below from one of the movie’s best scenes.

 

Edward Is Not The Only Vampire

I will start this post by stating for the record that I have not read the books that the Twilight movies are based on, nor have I seen the movies. So this post will not mention them, however, with all the attention that they’ve been getting I figured it might be nice to be reminded of some of the vampire characters that came along before it all became about “Team Edward”.

The idea of vampires has been around through most of human history and the word “vampire” started appearing in the 18th century, and while Bram Stokers Dracula set the tone for the vampire legends we know today vampires in cinema started with the still creepy Nosferatu.

Nosferatu Edward Is Not The Only VampireReleased in 1922 this silent film essentially follows the plot of Dracula, eliminating a lot of the secondary characters and focusing primarily on Thomas and Ellen Hutter (the Jonathan and Mina Harker characters) and their dealings with Count Orlok, the vampire.

Now, to jump ahead…. about 60 years. The 1983 strange night kin tale  The Hunger which stars Catherine Deneuve, David Bowie and Susan Sarandon.

Hunger Edward Is Not The Only Vampire

This movie is based on a book, with the same title, that was published in 1981. It is unique because it is not the typical story people have come to recognize as “the vampire story”. Miriam (Deneuve) can only create vampire/human hybrids with extended lives, but who do eventually begin to decay. John (Bowie) her lover of around 200 years is starting to succumb and aging rapidly. When he seeks help from Dr. Sarah Roberts, who might be able to cure him, becomes the object of Miriams attentions.

In 1992, Bram Stoker’s Dracula, was brought to the screen. Starring Gary Oldman as Count Dracula, Winona Ryder and Keanu Reeves as Jonathan and Mina Harker and Anthony Hopkis as Van Helsing.

Dracula Edward Is Not The Only VampireThis is a love it or hate it movie. It stays truthful to the book in many ways, which some people like and others don’t. The costumes are amazing, the film won Academy Award for the costumes and make up. On top of that Gary Oldman gives a stunning performance as the tormented Count Dracula. It is a wonderful return to the story that started it all.

Aside from defining may of the attributes we associate with vampires, Dracula also set in place the tormented-tormentor character psychology, the vampire who hates vampires and hates himself but on the other hand loves the power that comes with being undead.

Blade1 Edward Is Not The Only VampireBlade is a great example of the tormented-tormentor, and eve takes it one step further. In his half vampire state Blade uses all his abilities to destroy every vampire he can find. He revels in his ability to fight toe-to-toe with other undead but his rage at the vampires is unyielding.

However with every personality there is an opposite, in this case that is the vampire who loves being a vampire, and believes he is happier as a vampire than he ever was a mortal. Killing to feed, never seeing daylight and trusting no one is where he thrives.

Queen Of The Damned Edward Is Not The Only Vampire

Lestat De Lioncourt is probably the best example of this, from the start he loves everything there is about being a vampire and uses it to his constant advantage. People are playthings and the desires and wishes of other vampires are of no matter to him. Bringing vampires out into the light of day (so to speak) wasn’t enough, he needed them to see him and recognize him for the great vampire he was. Don’t worry though! He learns his lesson.

Now to bring this little vampire lesson to a close, I know I have not covered nearly all, or even most kinds of vampires and vampire movies. So below are some more vampire titles that you might want to check out, if Cullen isn’t enough.Some are better than others, but they’re all entertaining

Lost Boys Edward Is Not The Only VampireUnderworld Edward Is Not The Only VampireBloodrayne Edward Is Not The Only VampireTrue Blood1 Edward Is Not The Only VampireDusk Til Dawn Edward Is Not The Only VampireVan Helsing Edward Is Not The Only Vampire

Who ya gonna call? Big-screen big screams

Multiple sources report that the 1984 classic Ghostbusters will receive a limited-run theatrical re-release in mid October. As an avowed lover of revival screenings, I’m excited to revisit the Bill Murray horror/comedy. While I would much prefer a large-scale theatrical run for John Carpenter’s Halloween (which, with its marvelous use of the full Panavision frame, is perfectly suited for cinematic re-release and big-screen TVs), Ghostbusters will still satisfy at least some of my yearly craving for ghouls and ghost and goblin host. Halloween aside, what spooky movies would benefit from a theatrical revival (or, at the very least, a re-watching on a mammoth HD screen)? Here are four I’ve seen at revival houses in the past few years, and how much oomph they have on the big screen.

City Of The1519408h Who ya gonna call? Big screen big screams Living DeadLucio Fulci’s bizarre Italian horror movies compensate for their awkward dubbing and plotless “storylines” with spectacular horror setpieces. You sink into your seat, staving off Mr. Sandman as stiff, boring actors exchange meaningless dialogue, and then Fulci whams you with something like the “splinter scene” from Zombie (a girl’s eye is slowly, inexorably, wince-inducingly drawn into a door splinter). City Of The Living Dead’s similar and equally infamous drill scene almost had me hiding under my cinema seat. And really, isn’t that just what we want from a horror movie?

Nosferatu – Odds are, if you catch this silent film fave in a theater, you’ll also be treated to a live musical performance. A wide variety of musical accompaniments have appeared on the DVD editions of the film, ranging from traditional organ to spooky, ambient new age. A nice string quartet, with the bowing violin as a shrill aural representation of vampire Nosferatu’s predatory gaze and bite, seems the ideal sonic complement to director F. W. Murnau’s haunting visuals.

Poltergeist1534852h Who ya gonna call? Big screen big screams Don’t you just hate it when they move the cemetery but they leave the bodies? Effects-heavy movies always play best on the big screen. And admittedly, some of Steven Spielberg’s (oops, Tobe Hooper’s – let’s save that old controversy for another day) matte shots do look a little bit dated on home video. The big screen experience gives them all a distracting visual sweep, allowing you to enjoy the Freelings’ clash with restless spirits without thinking much about matte lines.

The Shining – The legendary genre effort is not shot in an ultra-widescreen format (in fact, all video versions until 2006 were in a full-screen, open matte format at the director’s behest), but the oft-mentioned Steadicam shots, to say nothing of that elevator unleashing torrents of blood, are ideal big screen fodder. And when little Danny spins round those corners in his Big Wheel, you’ll feel like you’re right there in the Overlook Hotel with him.

What old-school horror movies would you love to see playing again at your local cinema? Re-watch a few old favorites and post some suggestions in the comments section.